The House of Guerlain is one of the oldest perfume houses in the world. It was founded in 1828 when Pierre-Francois Pascal Guerlain opened up his first perfume store on 42, Rue de Rivoli in Paris.
Pierre-Francois composed and manufactured custom perfumes with the help of his two sons, Aime & Gabriel. His unique approach was to personalize perfume for a specific person, place or event. Honore de Balzac commisioned his own eau de toilette during the writing of Cesar Birotteau, and the periodical La Sylphide, le Journal des Elegances, scented each issue with a different fragrance by Guerlain.
Guerlain catered to the high society of Paris, and obtained a very loyal following. The perfume house was so successful that Guerlain decided to open a flagship store at 15, Rue de la Paix in Paris in 1840. The house was at its peak in 1853 with it's fragrance Eau de Cologne Imperiale. This perfume gained Guerlain the prestigious title of His Majesty's Official Perfumer of France. This in turn led him to create perfumes for other royals such as Queen Victoria of England, the Empress Sissi of Austria, the Queen of Belgium and Queen Isabella of Spain as well as other crowned heads of royalty.
Pierre-Francois passed away in 1854 and his sons inherited the perfume house. Aime became the master perfumer, a tradition that would be upheld for the next master perfumer in lineage. Gabriel managed and further expanded the house.
"Voilà Pourquoi J'Aimais Rosine by Guerlain was first created in 1863 and then re-released in a special presentation for the 1900 Universal Exhibition. The name, which translates to "This is Why I Loved Rosine," carries a deeply emotional and personal resonance, chosen to honor Sarah Bernhardt, the celebrated actress whose birth name was Henriette-Rosine Bernard. As a close friend of the Guerlain family and a muse to Jacques Guerlain, Bernhardt was a woman of extraordinary talent, charm, and allure .. qualities that the perfume’s name and composition sought to capture.
"The phrase "Voilà Pourquoi J'Aimais Rosine" evokes a sense of nostalgia, affection, and admiration. It tells the story of a great love or deep fondness, perhaps for a person, memory, or fleeting moment of beauty. The title invites the wearer to step into a narrative of romantic devotion, which could easily have mirrored Bernhardt’s dramatic life and the adoration she received from her audiences. The scent itself, then, becomes a tribute not only to her but to anyone who evokes a similar admiration, capturing the mystery and allure of the muse figure.
"Interpreted in scent, "Voilà Pourquoi J'Aimais Rosine" would likely translate to a fragrance that is at once delicate and bold, capturing the dual nature of Bernhardt’s persona .. soft in her beauty but powerful in her presence. Floral elements, jasmine, rose and violet, evoke the femininity and elegance of the era, while deeper, warmer notes like cinnamon, leather and vanilla lend a more sensuous, timeless quality. The fragrance would feel like an homage to artistry and the stage, with a complex blend of ingredients designed to linger and captivate, much like Bernhardt herself.
"During the late 19th and early 20th centuries, a perfume like Voilà Pourquoi J'Aimais Rosine would have resonated with both men and women in different ways. For women, the fragrance could symbolize an aspiration toward the sophistication and charisma embodied by Bernhardt, a celebrated woman who pushed the boundaries of her time. For men, the perfume might have represented a sense of admiration for a woman of grace and strength, while also carrying a sense of personal refinement and luxury. The perfume’s name and association with Bernhardt would have made it a conversation piece, evoking the cultural allure of the theater and the arts.
"The time period in which this perfume was launched, the mid-19th century, was a transformative era in France. The country was at the height of its artistic and cultural influence, with figures like Sarah Bernhardt rising to international fame. The era was defined by opulence, innovation, and an appreciation for the arts, as seen in the 1900 Universal Exhibition, where Voilà Pourquoi J'Aimais Rosine was presented in a newly designed bottle. Guerlain’s choice to re-release the perfume at such a significant global event reflected the brand’s deep connection to the artistic world and its role in shaping the cultural landscape of the time.
"In an era where names like Bernhardt commanded admiration across Europe, the perfume would have served as a fragrant tribute to the ideals of creativity, beauty, and love. Its presentation at the 1900 Exhibition further elevated its status, making it not just a fragrance but a symbol of France’s cultural prominence and the spirit of the Belle Époque." Cleopatra's Boudoir
"A custom-made perfume for Sarah Berhnardt, whose first name was Rosine. I found a Shalimar spirit with very strong top notes of bergamot, lemon, lavender, a slightly floral heart: rose, jasmine, iris, until then, I always think of Shalimar, but the base is so leathery, smoky, almost a lapsang souchong (birch) and real oak moss: dyes, that I quickly go elsewhere. What a character!" Olfactory description of resurrected heritage perfumes from Guerlain
It is classified as a powdery floral fragrance for women with a leathery chypre base, with deep violet notes ..
Top notes are Bergamot, Lemon, Lavender, and Leather
Heart notes are Jasmine, Rose, Vanilla, Cinnamon, Marjoram, and Patchouli
Base notes are Violet, Violet Leaf, Rose, Oak Moss, and Orris
Offered here is an opportunity to purchase a decanted sample of this utterly hauntingly beautiful perfume. In the same league as Fleur Qui Muert and even Bouquet de Faunes, this is a one of a kind fragrance, and extraordinarily rare today .. Guerlain lovers ..
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